Friday, November 20, 2009

Lincoln Schatz Systems Building on Systems

Lincoln Schatz

Systems building on Systems

Visiting artist Lincoln Schatz came to GWU for a lecture on his latest projects interviewing neighborhoods in Chicago about the violence in their community. His documentation records conversations with Lincoln interviewing individuals and their experiences involving shootings and other violent happenings. Once the video is recorded, it is converted to a software which rewrites the information in a new language choosing random time. The random sequence becomes less of a documentary and transforms into a artistic social change project determined by the software, it then layers sound with the image. The result is then transferred to his website http://www.ceasefirechicago.org/and other Chicago venues to continue the conversation.

Public art, social media, participation and social change inspire his technologic creations. He studied at Bennington College in Vermont where he earned his BFA. Since then he has shown works all around the world. Nationally his works have been recognized at the Catherine Clark Gallery in San Francisco and the Cube gallery in New York.

I attended lunch at the Thai Place with the other MFA’s where we got to sit and chat with Lincoln about ideas. He asked us, “What are you looking at?” We went around the table to describe our research. Shortly after lunch I had the opportunity to have a critique with him. His knowledge of networks and community building encouraged me to promote community events and push the idea of flash mobs. The impact of feedback is the driving force with his media and I encourage others to follow him at http://lincolnschatz.com for inspiration.

Thursday, November 19, 2009


Curator's Office: Jiha Moon, An Exact Place

Jiha Moon’s new exhibition is currently installed at Curator’s Office. I attended the opening last Wednesday night. It was not the first time that I had visited the Curator’s Office but, it was the first opening. It was unfortunate that the opening was taking place during photo week. The normally congested space of Curator’s Office was extra tight with all long their lens. The only up side to this situation was that it was Jiha Moon’s work in the space. Her complex use of a limited palette allowed the work to sing through the din of people. One piece that I was particular drawn to was Mongrel, 2009. It is a dynamic composition weaving together paint, thread and paper.
hours
Wednesday - Saturday
12 - 6pm
and by appointment
address
1515 14th St NW
Suite 201
Washington, DC
20005






Civilian Art Projects

Terri Weifenbach
Woods
-
Carole Wagner Greenwood
A Little Give and Take

Exhibition runs:
Friday, November 13, 2009 - December 19, 2009

Friday the 13th I attended the opening of Civilian Art Projects new exhibition space at 1019 7th Street NW. There are two artists hanging in this new space. Upfront is the landscape photography project, Woods by Terri Weifenbach. These photographs are optical investigations of figure and ground executed by examining a densely wooded landscape. In the gallery space during the opening I was unable to gain a sense of how these images were functioning on this formal level. In the back portion of the gallery the sculptural work of Carole Wagner Greenwood is installed. These pieces are construction of plaster, linen and other found objects and left in a rather raw state. The work appears to be flirting with formal ideas in form and narrative. Carole Wagner Greenwood had also included a new EP release as a portion of her installation. The EP was not available for listening.

For me one of the most interesting aspects of this opening was the new not quite open restaurant next door. They had opened their doors early for a little trial run and the finish on the bar had not even quite even dried yet. They were offering a small choice of beer in the can or white wine in plastic cup. The staff was charming and the space was comfortable. They had also installed landscape photographs on the walls. These images had been face mounted on brushed aluminum. In the future when journeying to Civilian I will be stopping in to check out the full menu.

http://www.civilianartprojects.com/index.html

1019 7th Street NW, Washington, DC 20001 / p. 202.607.3804
Hours: Wed 1-6pm | Thur - by appointment | Friday 5-8pm | Saturday 1-6pm | and by appointment

Civilian Art Projects

Last Friday I went to the opening of new space Civilian Art Projects. Arriving a little early I popped into a new bar next door for a drink. Turns out the bar was completely brand new and I was their first sale ever. Celebrating all things new, I finished my drink and went next door to Civilian's new space. A few blocks up from the previous location, it's now located in between Gallery Place Chinatown and the Mt Vernon Square Metro Station at 1019 7th Street NW.

The exhibition featured two artists, Carole Wagner Greenwood and Terri Weifenbach. Woods, Weifenbach's photographed woods in the DC metro area. Greenwood's sculptural work included text, plaster, linen and other found objects installed using familiar altar making techniques. Using gold leaf and other adornment, Greenwood made a shrine with candles, plaster and wood. It felt similar to missions in New Mexico. Her work was raw, using nails and canvas with splattered plaster.

Jayme McLellan, director of the space was in attendance. As well as the local DC scene. Civilian's space has a great potential and I am looking forward to future shows in the gallery.


Wednesday, November 18, 2009





Economy of Scale
November 7 - December 23, 2009

Last Wednesday I attended the opening for the Economy of Scale, the current photography exhibition at Hemphill. An exhibition curated on the notion of does size matter? In a time when Jeff Wall is making mundane images that are as big as a billboard and they are selling for a half million dollars or more you might get the idea that size does matter. The exhibition at Hemphill offers the viewer a wide range of work in all sizes that plays with the ideal of scale on many level. The artist range form Robert Frank to anonymous and this suggest that the viewer should forget about the whom and just think about the what. I however was so taken with a small Robert Frank, Men of Air, NYC, 1948 that was placed by the entrance that I had a hard time letting going of the whom. During the opening it did appear that the maybe the best work was being kept in the back. After a quick zig around the cocktail table it appeared that there were hidden treasures gracing the back walls. I am sure that there was another piece by Franz Jantzen and a large Colby Caldwell just waiting in the hall.

http://www.hemphillfinearts.com/
1 5 1 5 1 4 T H ST N W W A S H I N G T O N , D C 2 0 0 0 5 2 0 2 . 2 3 4 . 5 6 0 1




Conversations with Artists, Mel Chin

Tonight I attended the Phillips Collections, Conversation with Artist series featuring Mel Chin. To set the stage for an overview of his career as an artist and activist Chin opened the lecture by serenading us with Suspicious Mind. Mid song a banana came flying towards him from behind the audience. This banana and Elvis ballad introduced the year of 1968/69 when the first print ad ran for Chiquita Banana’s. In his artwork The Extraction of Plenty from What Remains: 1823, Mel Chin directly references the damage done to Central American countries that the United States imports crops like bananas, mahogany and coffee. The artwork itself is constructed of these elements as well as mud and goats’ blood.

Chin spoke in length about the production of this piece and the over arching effect that it’s creation had on him as an artist or as he stated ”unbecoming an artist”. He went on to address the development and construction of several other works giving the audience a frame work for understanding how and why he had come to his current project “Fundred”. In this work he is addressing the pervasive and crippling lead contamination of New Orleans and with the help of school children Chin has created a way to appeal to the United States government for the resources to neutralize the lead. Chin is a dynamic speaker who understands how to connect with his audience. As an artist his work is a dynamic mix of research, teamwork and the possibility of social change.

http://www.fundred.org/about/


Fun Little Local DC project




http://www.pandaheadmag.com/


NO HAY BANDA: Tomorrow at 7 pm.


cows and music---good ol damien hirst.














Damien Hirst Music Video

Tuesday, November 17, 2009

TIM BURTON at the MOMA


Tim Burton show opens on the 22nd at the MOMA in NYC. I'm planning on going next week probably leaving either late Monday or Tuesday morning if any one else is interested in a quick New York research opportunity.

Mel Chin at the Phillips Collection



Conversations with Artists—Mel Chin
November 18, 2009, 5:30 pm, Tour/Lecture
Chin's unconventional and politically charged projects investigate how art provokes greater social awareness and responsibility. Chin often engages others in creative partnerships: in his ongoing Fundred Dollar Bill Project, he asks students to decorate mock currency to raise money to treat soil contamination in New Orleans.

Free; registration required: CSMAprograms@phillipscollection.org


Mel Chin is a public art ecologist/botanist/bad ass environmentalist who has done site specific installations on toxic waste sites using 'hyperaccumulator' plants which soak up heavy metals from soils. PBS' Art21 did a piece on Mel Chin. Get excited! Sign up, as of yesterday there was still space.

PES


In thinking about video class next semester, here are some videos by artist PES Roof Sex , Western Spaghetti and Fireworks

It's All Happening

We got so excited about the Flash Mob we are planning more social misbehavior! Please check out our group Guerilla Was Underground (GWU). Please check us out at http://www.facebook.com/pages/Guerilla-Was-Underground/177318614343 and join us for future missions. The page is brand new and we will continue to update it and link it with other DC groups (Carrotmob, DC Defenestrators and more!) Thanks to all who came and supported the positive energy. Let us know if you have a mission in mind we would be happy to rally.

David Getsy Lecture-tonight at 6:00p.m.

The George Washington University Department of Fine Arts and Art History presents:
'I don't make boy sculptures': David Smith, Frank O'Hara, and Gender Assignment
a lecture by David Getsy
Goldabelle McComb Finn Distinguished Chair in Art History
School of the Art Institute of Chicago
Ailsa Mellon Bruce Senior Fellow
Center for Advanced Study in the Visual Arts
Tuesday, November 17 6:00pm
Room A-114
Smith Hall of Art
801 22nd Street
Washington, DC 20052

Massive High Five: by CNN reporter Lisa Dejardins

a little high five press:




Monday, November 16, 2009

Painting?


As I was watching to post below about the 6000+ paintings that were made into a video, I was reminded of this (see below). I dont know if it can be considered painting, performance or just a skill, but I always love to see how its done.



http://www.youtube.com/watch?v=vOhf3OvRXKg

Sunday, November 15, 2009

Matthew Collings: An oral history of western art — interviews


AN ORAL HISTORY OF WESTERN ART
NO 1. CAVE ART

The Stone Age cave paintings we know today were done by the Cro-Magnons, who lived from about 50,000 BCE to 10,000 BCE. The most well known examples are at the Lascaux site in France, and Altamira in Spain. These paintings, mostly of animals, but also schematic hunters and big-breasted erotic females, possibly images of worship, date back 25,000 years. An even more ancient site was discovered relatively recently: the Chauvet-Pont-d’Arc cave in France. Archaeologists believe the paintings here to be at least 32,000 years old.

Interview with Ug, Ugrug, Gog, Gug and Grog.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_1_cave.html


Matthew Collings has created a new body of work that skillfully combine his role as critic and artist:

NO.2 THE PARTHENON

Interview with the architects Iktinos and Kallikrates.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_2_parthenon.htm

NO.3 EARLY CHRISTIAN ART

Interview with the Lord Jesus.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_3_jesus.html

NO.4 THE MOSAICS AT RAVENNA

Interview with Bishop Maximian.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_4_ravenna.html

NO.5 CAROLINGIAN MANUSCRIPT ILLUSTRATIONS

Interview with the Holy Roman Emperor.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_5_manuscript.html

NO.6 ICONS

Interview with Andrei Rublev.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_6_icons.html

NO.7 MICHELANGELO

Interview with Michelangelo.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_7_michelangelo.html

NO.8 BOTTICELLI

Interview with Sandro Botticelli.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_8_botticelli.html

NO.9 RUBENS

Interview with Sir Peter Paul Rubens.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_09_rubens.html

NO.10 REMBRANDT

Interview with Rembrandt van Rijn.

http://www.emmabiggsandmatthewcollings.net/03_ideas/03_10_rembrandt.html





Saturday, November 14, 2009

Khoda, An Animated Film Made Using 6,000 Paintings

if only we had this kind of time...

Khoda from Reza Dolatabadi on Vimeo.



“Khoda” is a fantastic animated video made as student project by Reza Dolatabadi using 6000 paintings that were specifically created for the 5 minute film. Each time you pause the video you see a new painting.

What if you watch a film and whenever you pause it, you face a painting? This idea inspired Reza Dolatabadi to make Khoda. Over 6000 paintings were painstakingly produced during two years to create a five minutes film that would meet high personal standards. Khoda is a psychological thriller; a student project which was seen as a ‘mission impossible’ by many people but eventually proved possible!

Thursday, November 12, 2009

My Last One, I Swear

Last Friday I had the opportunity to go back to my undergraduate school and speak to the art club about my experience thus far at grad school. This was a really good time to practice what Mary showed us in terms of presenting our work to a group. In this case there was a panel of about 10 of us that talked about our programs, mostly MFA, and two Post-Bacs. We did basic intro then each had the opportunity to take the floor and show our work to the group with time for q&a. I didn't prepare anything in particular, just showed examples of my work as it progressed from first year to now, as well as my portfolio that I had applied to grad school with. It was really a good trial run for presenting my work to others, and what I found is that I can speak fairly well about it without sounding like I'm a complete idiot. Horray.

Another John Gerrard Story

So, last Wednesday, we had the luxury of hanging out with John Gerrard and his peeps at the Hirshhorn and the Ambassador of Ireland's house. Yes, I said it, Ambassador of Ireland's house. I could not help but feel like VIP as the receptions at both places felt a bit surreal. I had to snag a few pics, which I may try and add to this later. I almost wish that we had our critique before the receptions, though, because it would have been nice to be able to talk with him having met him during his big night. Regardless, he gave great feedback when I had my critique and really helped me focus on key parts of my work that hadn't really been addressed. I think that his reception was different than those at galleries, only because the bar and food were outside of the location of his work and you couldn't bring and food/drink inside the space. So, what ended up happening was most people would peek at the work when they get there then mingle outside after. And, because it was at the museum, there were only a few familiar faces around as opposed to the many you see at receptions in local galleries. I think I can say for those of us that had the opportunity to go, we had an truly memorable time.

Chicken Show Review

I really do not know where to begin. Koen is a true wisecracker in terms of his work and his obsession with the chicken and egg theory. The opening was a delight and many people were interested in seeing the chickens and chicken coop, and if they weren't then they came to the wrong show! Patrick actually helped to build the coop, and it is a pretty impressive construct. What I love about openings, besides the booze, is the familiar faces and networking. And, the good thing about it is that if you remember seeing someone somewhere, they usually remember you too and the dialogue can just go from there. And, Leigh is great too because I didn't have to work this show so she dubbed me "honorary guest," whatever that means, but she did say that if they ran out of drinks to let her know and she would grab me some from the back. And, best of all, she told me to come back and pet the chickens. I also ended up getting a USDA chicken coloring book out of the visit so it was truly a great night.
In terms of the work, I really got into the mixed media drawings, and the chickens as they were all cute and such. The video was interesting with the time and temperature logs. I only wished that the space could have been temperature controlled to reflect the temperature on the dial, which I presume was that of the necessary incubation temperature.
An interesting show from an artist truly interested in "foul play."

Show Review

So, I worked at the Lyrical Abstraction show at Conner a bit ago and was told that my job was to make sure no one took any beverage past the bar into the room where Mr. Lewis' painting was hung. It was different than bartending because when I tend at an art event it is usually all about the booze and serving the people. This was different in the sense that I was merely standing and could interact with folks after a certain point during the reception, as most of them had heard my spiel by then about the no booze in the Lewis room. I had conversations about the links between art and science, a favorite topic of mine. I also got to notice how people were reacting to the work, which I can't do while I bartend or even when I am at an opening because I am too busy chatting or looking myself. It was a busy night by the end because of the WPA's Options show, which was happening right upstairs. Most people would come and say I thought my friend's work was going to be here, but I don't see him/her or their work...I would tell them to drink up then go to the door to the left when they went outside and then up the stairs. That, or people would ask me about Morris Lewis' painting and how it was made, or what magma was (the medium used). It was a good time with fun conversation for the most part.
It is also worth noting how fabulous Mr. Leo Villareal's wife's shoes were. They were true platforms. It was a good time as usually at Conner.

In honor of today's Flash Mob


http://carrotmob.org/ Mobsters for social change! They are working on the group for DC.

Wednesday, November 11, 2009


John Gerrard...And I thought he couldn't get any cooler


http://www.nytimes.com/2009/11/05/garden/05qa.html?_r=1

Geoffrey Aldridge at Transformer

Transformer is excited to announce our
7th Annual DC Artist Solo Exhibition:

Geoffrey Aldridge:
Hole in the Wall
November 21 - December 26, 2009



Referencing cultural history and the 40th anniversary of the Stonewall riots, Geoffrey Aldridge: Hole in the Wall at Transformer will feature a series of art interventions within our 14th Street, NW project space. DC-based artist Geoffrey Aldridge, represented by Conner Contemporary Art *gogo art projects, creates moments of reflection on the continuing struggle of the gay community for recognition and acceptance. Associating memory, perception and identity, this installation of works at Transformer will include video, sculpture, and spatial interventions that act as metaphors for these struggles.

For more information on Geoffrey Aldridge: Hole in the Walland other Transformer exhibitions and programming, please contact us at info@transformergallery.org or 202.483.1102.

Image: Geoffrey Aldridge, Yellow Brick Road detail

COMBO a collaborative animation by Blu and David Ellis

very cool...give it a watch (the video loops twice so its really only about 4 minutes long)


Yinka Shonibare at the Hirshhorn


Thursday night, 7pm


During the opening week of the artist’s major midcareer survey at the National Museum of African Art (NMAfA), UK-based Nigerian artist Yinka Shonibare visits the Hirshhorn to discuss his work with NMAfA curator Karen Milbourne. Like the Hirshhorn’s “The Age of Enlightenment—Antoine Lavoisier” (2008) on view in “Strange Bodies” until Nov. 15, much of Shonibare’s work poses questions about politics, identity, and cultural authenticity in a postcolonial world. “Yinka Shonibare MBE” is on view at the NMAfA Nov. 10, 2009– Mar. 7, 2010. This program is free.

Tuesday, November 10, 2009

Making Muses-Opening

Making Muses
An Art History/Fine Arts Collaboration
November 9–20

Opening Night
Tuesday, November 10
5 to 7pm

George Washington University
Smith Hall of Art
801 22nd Street, NW

Monday, November 9, 2009

Friday, November 6, 2009

Murals Murals Murals


DC is not the only place where murals are going on with groups like Albus Cavus Mural that is written about below. Check out this project that was just finished in Philly:




http://www.muralarts.org/whatwedo/special/loveletter/

I heard about it from the artist I had interviewed, and the more I look at it, the more I want projects like this to come down to the district

Reminder: This Saturday

Celebrate DC's newest art center with:
*An opening of Koen Vanmechelen's "Cosmopolitan Chicken Project (DC)" at one of DC's top contemporary art galleries Conner Contemporary.
*G Fine Art's new space on the same block.
*A first look at the home of the new Industry Gallery, a contemporary design exhibition space.


"Fixation" moves to H Street, NE! But we'll still feature awesome photographers who document DC's subcultures. Along with great live music and lots of the usual beverage. Skater's welcome!

Performances:
6-9 PM Music by Yoko K!
7:30 PM ayyoko confidential
9:00 PM Suspicious Package (recently mentioned in Spin magazine!)

Portrait photographs:
Have your portrait taken by photographer Tracy Clayton in front of a specially commissioned backdrop created by fab artist Cory Oberndorfer.

Awesome "Fixation" photographers:
Aziz Yazdani
Drew McDermott
Angela Kleis
Pat Padua
Karon Flage
Joshua Yospyn
Amit Mehta
Nicole Aguirre
Jay Westcott

"FACES OF SUSTAINABILITY", FIVE NIGHTS OF LARGE-SCALE PHOTOGRAPHIC PROJECTIONS

ARLINGTON COUNTY TO OPEN “FACES OF SUSTAINABILITY,”
FIVE NIGHTS OF LARGE-SCALE PHOTOGRAPHIC PROJECTIONS

On Friday, November 6, the Arlington County Public Art program will launch a new temporary public art project, Faces of Sustainability, which will be presented by the Rosslyn BID as part of Fotoweek DC 2009. For five consecutive nights, from 6:00 pm to 11:00 pm, commissioned photographic portraits by Mary Noble Ours and Jason Horowitz will be projected on the eight-story outdoor wall at a construction site in downtown Rosslyn.

“This project celebrates art and action,” says Arlington public art curator Welmoed Laanstra. “We selected two accomplished local photographers and asked each to portray people who live or work in Arlington who are engaged in various sustainable endeavors-including farmers who sell at local markets, a solar energy specialist, and a beekeeper. The result is a series of engaging portraits with two different artistic perspectives.”

The night-time projections can be viewed at the site on the 1200 block of Wilson Boulevard, Rosslyn, across the street fro the Rosslyn Metro. The project is sponsored by Rosslyn BID, the JBG Companies, and Arlington County Cultural Affairs. On November 8, Horowitz will be on site from 6:00 pm to 8:00 pm.

For this project, Horowitz explores the landscape of the face, with macro-portraits that focus on individual facial features. The artist is intent on establishing the real, the immediate and the recognizable, sketching a poetic narrative of human life. His portraits are at once completely abstract and concrete. Horowitz is an award-winning photographer who is based in Arlington County.

Ours examines the relationship between her subjects and their daily environments. Her portraits, each shot on location, move the viewer between the tranquility of a traditional still life and the hyperkinetic qualities of modern life. Her formal composition gives the viewer a sense of the serene, while channeling the individual energy of the subject. Ours is a professional portrait photographer whose work has appeared in various publications, including The Washington Post.

For more information, please contact Welmoed Laanstra at 301-651-8275 or at wlaanstra@arlingtonva.us

JIHA MOON | An Exact Place @ Curator's Office **GO TO THIS!**




Opening Reception: Wednesday, November 11, 6 - 8 pm



J I H A M O O N | A n E x a c t P l a c e

November 7 - December 19, 2009

Opening Reception: Wednesday, November 11, 6 - 8 pm

Curator's Office is pleased to present the third solo exhibition of Korean-born artist Jiha Moon. For this exhibition, the gallery will present works exploring the nature of place and its inspiration on creative output. Works include three square-format Hanji paper over canvas pieces and four horizontal works on Hanji paper. There is a special emphasis on abstraction in many of these works. As Moon is currently an artist-in-residence at The Fabric Workshop in Philadelphia, the influence of textiles is subtly apparent as several works incorporate small embroidered areas, a departure for the artist.

The works in the exhibition were created both in her Korea and Atlanta-based studios. This division in working locations provoked the artist to explore the cultural influence of a precise place in an increasingly dizzying global world. For example, in the ironically titled work, An Exact Place, Moon looked at different national flags and how these vibrantly colored but mostly abstract images try to represent a specific culture. An interchangeable quality emerges for the artist as she notes, "if you change around the positions of some colored stripes, one flag can represent different nations, for example the similarities between Italy and Mexico or France and Russia." She deconstructs the flag stripes and situates them sinuously through the work and its many focal points thereby creating an invented universality where the nexxus of culture and location allows for hybrid cultures to emerge. This visual universality includes stars, moons, suns, animals, plants and weapons -- also derived from specific flags -- but germane to us all.

Another great source of inspiration for the artist is dancheong, an ancient Korean style of decorative painting using 5 primary colors and specific elaborate patterns. Going back more than two thousand years, the murals are found mostly on the exteriors of ceremonial wooden buildings.


In the work that incorporates embroidery, such as All Around, Moon deliberately challenges herself to use exclusively abstract marks and brushstrokes to evoke a landscape. She carefully imitates some of the brushstrokes with the color and density of the threads. She says, "I mimicked one mark to make another, and then had the embroidery mimic those marks. It goes around and around to make the picture."


Another work, Stepping Out, is the artist's playful tribute to Lichtenstein's painting of the same name from 1978, in which he acknowledges his own debt to Picasso and Leger. In Moon's hands the imagery becomes multi-cultural and lushly exotic.

Jiha Moon earned her Master of Arts from the University of Iowa (2002). She has exhibited at premier New York venues including the Asia Society Museum, The Drawing Center, and White Columns, as well as in numerous other group and solo shows and art fairs across the United States, Europe, and Asia. In 2008, Moon had a solo exhibition at The Mint Museum, Charlotte, North Carolina. She has participated in residencies at Art Omi, Acadia Summer Art Program (Camp Kippy), and the Singapore Tyler Print Institute through the Asia Society, and has garnered numerous other awards. Her work is part of such prestigious public collections as the Hirshhorn Museum and Sculpture Garden, Washington, DC; Asia Society and Museum, New York, NY; the Mint Museum; the Virginia Museum of Fine Arts, Richmond, VA; the Smith College Museum of Art, Northampton, MA; the Weatherspoon Art Museum, Greensboro, NC; The UBS Collection, New York, NY; and the Neuberger Berman Art Collection, New York, NY among others. Her work has been critically reviewed by Artforum, Art in America, Art Papers, The New York Times, The Washington Post, Atlanta Journal Constitution, Atlanta Magazine, The New York Sun, Creative Loafing, and The Washington City Paper among others.

Jiha Moon is currently an artist resident at The Fabric Workshop in Philadelphia, PA. She is currently making a limited edition scarf for The Fabric Workshop based on the work, Botan Garden, and is in the process of completing other works with FWM.

Wednesday, November 4, 2009

Come paint this Saturday!

We are taking advantage of the last warm fall days in Washington DC and hoping to finish the new mural on Sherman Ave this week. Stop by on Saturday November 7, 2009 between 1pm and 5pm to see our progress, paint with us, meet the neighbors and have a nice relaxing afternoon. If you are interested you can also learn the basics of painting with spray paint. Wear your work clothes if you want to paint. The location is Sherman Ave and Barry Place NW in Washington DC.
workshops

sherman_dan

Dinner Party Ideas

Hey everyone, I had mentioned that for my final project I wanted to host a dinner party or appetizer get together or whatnot. Since our class isn't huge we can totally have it at my place, I live right above the crystal city metro stop so it's easy to get to from school. I was thinking of having it on a Sunday perhaps? I know everyone's schedules during the week are very different and thought Sunday might work best. Any other ideas? Also please post suggestions about foods you like, or things you are allergic to or things you don't eat. I know we have vegetarians and vegans in the class so I will do my best to accommodate to everyone!

Hey Undergrads

Those of you looking at graduate school, Corcoran is having an open house for graduate students tomorrow the 5th from 5-7pm!

"Improv Everywhere"

High-Five Group--check this out.

http://improveverywhere.com

Improv Everywhere causes scenes of chaos and joy in public places. Created in August of 2001 by Charlie Todd, Improv Everywhere has executed over 85 missions involving thousands of undercover agents. The group is based in New York City.

Tuesday, November 3, 2009

Does Milk Do a Body Good...Maybe Not.

Milk's skeptics would like to steer us away from our herd mentality

By Jennifer LaRue Huget
Thursday, November 5, 2009

Mankind has been drinking the milk of fellow mammals for millennia. Milk has long been regarded as a nutritional mainstay, vital to building strong bones, particularly among Western cultures. But in recent years a rising chorus of critics has come to argue that cow's milk, far from doing a body good, is in fact bad for our health.

The question comes at a time when America's milk market is in turmoil, with many dairy farmers being forced out of business. Last week a group of them brought their case before Congress: In light of milk surpluses (cows need to be milked whether we drink the stuff or not) and reduced demand apparently spurred by a weak economy, prices for their product have dropped so dramatically that many are having to slaughter their herds just to stay solvent.

A week earlier, President Obama authorized spending $350 million to help keep dairy farms afloat until the market improves. But the farmers hope more help in the form of stabilized milk prices (i.e., higher prices, paid by either the consumer or the government) is on the way. If it doesn't come, there may soon be far fewer dairy farms in the country.

Not that I'm a particular fan of milk myself. While my brother drank it by what mothers in the 1960s called "the tumblerful," I sipped only what was required of me. Now that I'm raising teenagers of my own, though, it seems worth sorting out milk's role in a healthful diet.

Near the forefront of the anti-milk movement is the Physicians Committee for Responsible Medicine, a pro-vegetarian/vegan organization. Susan Levin, the group's director of nutrition education, says, "I recommend people get dairy out of their diets. Its main selling point is calcium, which is touted for helping build strong bones. But there isn't any research to show dairy products are any more beneficial than plant sources" of calcium, which she says the body is better able to use when it comes from plants. Greens such as kale and broccoli, she says, are excellent sources of calcium; plant-based beverages such as orange juice and almond and soy milks are fortified with both calcium and Vitamin D.

As evidence that people and cow milk don't mix, Levin cites research suggesting that lactose intolerance -- the body's inability to tolerate one of the sugars in milk and milk-based foods -- is widespread. "The dairy industry would say you should force [milk] down or take a pill so you can tolerate it," Levin says. "But it's not normal. No mammal drinks its mother's milk after weaning."

Stephanie Atkinson, a spokeswoman for the American Society for Nutrition (whose list of "sustaining" members includes the National Dairy Council) and a professor in the department of pediatrics at McMaster University in Hamilton, Ontario, says that, contrary to Levin's statement, it's the fiber in plant sources of calcium that interferes with the body's ability to absorb the mineral. Regarding lactose intolerance, Atkinson says that the medical community views that condition -- different from milk allergy, which she says is common among young infants but almost always outgrown -- as wildly over-diagnosed and that most people tolerate lactose just fine if they take milk products in small doses.

Having said all that, though, Atkinson allows that vegetarians, vegans and others who avoid milk can manage, perhaps with some difficulty, to get all the necessary calcium, Vitamin D and phosphorus (a trio required for bone health) from non-animal sources. But to get the Vitamin B12 the body needs, non-dairy users must take a supplement, she says, as that essential vitamin is available only from animal products.

Even many non-vegetarians object to milk based on concerns about the use of artificial growth hormones and antibiotics in dairy cattle and on worries that pesticides in feed end up in your glass of milk. But Greg Miller, executive vice president for research, regulatory and scientific affairs at the National Dairy Council, maintains that milk is safe.

"Milk is one of the most regulated food products out there," Miller says. When the Food and Drug Administration each year conducts "market basket" samplings for pesticides and other contaminants in foods, "dairy products come out clean every time," he says. And, he explains, "every tanker-load of milk is tested for antibiotics. If any residual traces are found, the whole truckload is dumped. There's a very large financial incentive for farmers" to keep milk free of antibiotics. As for growth hormones, Miller says the FDA, the World Health Organization and other health organizations have found their use safe.

Miller's milk advocacy does have limits: He does not favor raw milk. "Pasteurization was put in place to keep any food-borne pathogens from reaching consumers," he says. Drinking raw milk, he says, doesn't confer any notable nutritional benefits, and it's "like playing Russian roulette" with the potential for ingesting harmful contaminants such as E. coli.

As for the argument that humans are the only animals that drink milk throughout life, Miller says that's because, unlike other creatures, "we have the intelligence to understand the nutritional value of dairy products.

"There are lots of things about which we can ask, 'Were we meant to do that?' " Miller continues. "I mean, were we meant to drive cars?"

Big Saturday this Saturday

CONNER CONTEMPORARY ART is delighted to welcome our new gallery neighbors G Fine Art + Industry Gallery as we celebrate the exhibition openings of Koen Vanmechelen's Cosmopolitan Chicken Project and Fixation (10 Miles Square and Pinkline Projects).


Date:
Saturday, November 7, 2009
Time:
6:00pm - 10:00pm
Location:
Conner Contemporary Art
Street:
1358 Florida Ave, NE
City/Town:
Washington, DC

Gallery Talk with Artist's Reception

We’d like to invite you to the artists’ reception celebrating the opening of the American University Museum’s late fall exhibitions, Virtuelle Mauer/ReConstructing the Wall, an interactive 3D installation by T+T (Tamiko Thiel and Teresa Reuter) and those who were seen dancing were thought to be insane by those who could not hear the music, a solo exhibition by AU Washington College of Law alum Cole Sternberg.

The artists’ reception will begin at 6 p.m. following T + T’s gallery talk, which is to begin at 5 p.m. Special guest to the talk and reception is the German Ambassador who will introduce T + T’s art.

Exhibition Details:

Virtuelle Mauer/ReConstructing the Wall, an interactive 3D installation by T+T (Tamiko Thiel and Teresa Reuter)

In this project, the artist team T + T has digitally reconstructed a section of the Berlin Wall and its surrounding neighborhoods. Set primarily in the 1980s, the artwork is projected life-sized to immerse users visually and kinesthetically in the virtual world. Exploring the space via a simple joystick, users’ actions and movements trigger a web of scenes depicting everyday stories and historical events. Users are in effect the main characters, average Berliners who have to live day in and day out “in the shadow of the wall.”

Cole Sternberg: and those who were seen dancing were thought to be insane by those who could not hear the music

Renowned L.A.–based artist and AU Washington College of Law alum Cole Sternberg presents an exhibition of works that blends the fields of international law and contemporary art to critically analyze human rights and the application of international law. Sternberg's works address a variety of human rights concerns from humankind's historical genocidal nature to U.S. government-sanctioned torture to Chinese labor camps.

Exhibitions are on view November 7, 2009 – December 20, 2009.
Also remaining on view is Australian Indigenous Art Triennial: Culture Warriors, closing on December 6, 2009.
For additional information please see the museum’s website http://www1.american.edu/cas/katzen/museum/index.cfm or contact Stefanie Fedor at 202-885-3678.
Light hors d'Ĺ“uvres and beverages will be served and no RSVP is required.

Hope to see you there!

Date:
Saturday, November 7, 2009
Time:
4:00pm - 9:00pm
Location:
American University Museum

I RAN Home



The Fridge DC is pleased to present I RAN Home (In America). Join us for the opening reception and meet the artists!

Iranian artists have become players in the national and international contemporary art scene, but too often, this genre is tied to politics. In reality, Iranian-American artists are multi-faceted with different and conflicting identities and influences. Their work may be affected by political realities, but not decided by them. In I RAN Home (In America), these diverse influences unite in profoundly personal artworks which strive to achieve acceptance and understanding from all viewers.

Straight from the Beijing Biennale, works from New York based POONEH MAGHAZEHE's (http://www.poonehspeaks.com) It's What's for Dinner series feature raw meat branded with an Islamic pattern used in architectural detailing throughout Iran. Maghazehe says, "Utilizing a custom made branding iron inscribed with this pattern, an act of re-contextualization implies the historic representation of cattle branding, offers a metaphor for migration, references mass marketing, and alludes to branding identities."

Originally from the DC Metro area, New York based ERIC ROBERT PARNES (http://www.ericrobertparnes.com) appropriates contemporary images and intentionally revises them to reveal the ways in which they have driven war, religion and fashion through time.

Locally-based and Iranian-born, HADIEH SHAFIE (http://www.hadiehshafie.com) explores the fundamental aspects of process, repetition and time throughout her works, which take direct inspiration from the whirling dervish of Sufism.

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The Fridge DC will host a series of public programming events in conjunction with the exhibition:

Bastani & Branding
http://www.facebook.com/event.php?eid=183628628145&ref=ts

Youth Poetry Night
http://www.facebook.com/event.php?eid=152376852538

I RAN I DANCE
http://www.facebook.com/event.php?eid=152576173919
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Date:
Thursday, November 5, 2009
Time:
7:00pm - 10:00pm
Location:
The Fridge DC
Street:
Rear Alley, 516 8th Street SE
City/Town:
Washington, DC